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Friday, December 29, 2023

In April 2023, a misdemeanor harassment charge against former Linfield Trustee David Jubb was dismissed

--“David Jubb, (a Linfield College grad and) longtime member of the university’s board, resigned as a board trustee in June 2019 after … (a female) undergraduate student trustee, said Jubb groped her in February of that year.

--“Jubb subsequently was charged in an eight-count indictment that accused him of sexually abusing the four different students in 2017 and 2019. He faced one felony count of first-degree sexual abuse and seven misdemeanor counts of third-degree sexual abuse. He pleaded no contest to two counts of harassment for groping two of the students. Jubb was sentenced in October 2021 to 18 months of probation, ordered to undergo an alcohol abuse assessment and complete 40 hours of community service.

Source:
Oregonian February 2023, with slight Wildcatville editing.

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--“Quietly, in April, a misdemeanor harassment charge against former Linfield Trustee David Jubb was dismissed following his successful completion of an 18-month probation for inappropriate contact with Linfield students. That unreported court action concluded an extended public spectacle that brought unwanted national attention, the professor’s lawsuit, new leadership for the Linfield Board of Trustees, and still-unresolved feelings by many that top-level apologies have been insufficient.”

Source:
Jeb Bladine, president/publisher, McMinnville N-R/News-Register in his "Whatcamacolumn” headlined, “For Linfield, a time of transformation,” in the N-R Dec. 29, 2023, edition.


Wednesday, December 27, 2023

Linfield President Miles K. Davis on lessons learned during his at-times tumultuous tenure

Linfield President Miles K. Davis on lessons learned during his at-times tumultuous tenure

By Suzanne Stevens – Editor, Portland Business Journal 12/26/2023

Miles K. Davis announced plans in November to step down as President of Linfield University. He'll step down on Jan. 1, the first day on the job for interim President Rebecca Johnson.

Davis led the McMinnville-based school through several strategic initiatives during his tenure, including the $14.5 million acquisition of the 20-acre University of Western States campus and a name change from Linfield College to Linfield University, which allowed the school to expand certain programs and degrees. He also helped secure a $10 million gift to build a new science facility.

Davis' tenure was not without turmoil, with controversies involving the handling of sexual abuse and harassment complaints and the firing of a tenured English professor. In a Wall Street Journal opinion piece addressing the controversies, Davis said that "change is hard. And so when you have change, there's resistance."

We checked in with Davis recently to talk about his takeaways from five years in Oregon and what's next. This interview has been edited for length.

 =What's on the agenda when you leave Linfield? 

I am writing a book called "The Rise and Fall of Higher Education." I'm going to start recording podcasts so you'll see some announcements coming out and we're working with the publishers and producers to get that done. I have been asked to consult on a university that's trying to stand up on the African continent. So there is more for me to do. But most importantly is that I want to be able to spend some time with my family (who are on the East Coast).

 =What are you most proud of accomplishing at Linfield?

Well the things that I'm most proud of aren't the things that have made headlines. I'm not sure if proud is the right word, but when I think about it it makes me smile and feel good ... I was hosting faculty my first year here and someone said 'I don't know if you've noticed but we've noticed that our students of color walk a little taller now.' So if my presence in my role made somebody feel better about themselves, and see that what I've accomplished, they can accomplish, I think that's a great start.

 =Any regrets? 

There are people who believe that I did things either to directly or indirectly attack them. I regret that. You can never change people's opinion about how they feel about you because sometimes neither you nor them are aware of exactly what they're reacting to when you say something, so that is something I regret. ... I think from my perspective I was not as sensitive to some things that apparently are very important to Oregonians and maybe to academia and the field in general (when it comes to) process. My life has been dedicated to outcomes. I have a bias for action. I don't like sitting around talking about things for days on end, particularly if your house is on fire. I don't want to debate on which fire extinguisher to use. But I realize that that's inside of me ... and other people don't see it that way.

 =Was your experience in Oregon what you expected when you moved here? 

What I came to understand is that there are a lot of things about me that represent something different. The people who have lived in an environment where they've never been around anyone who was like me. And I mean that on multiple levels, whether it's an issue of pigmentation, whether it's my lived experiences. 

I didn't realize how challenging it would be for some people to hear me when I said things, or that I wasn't fully aware sometimes of what people were responding to ... that it wasn't just about responding to me because some of the actions, both positive and negative, I was getting were from people who didn't know me. I had the chance to be friends with Jesse Jackson Jr., and one of the things that he said to me is appropriate for the situation. 

He said to me that one of the hardest things about being him is that he inherited from his father, Jesse Jackson Sr., both his enemies and his friends, neither of which he has deserved.

 =What's your takeaway from that? 

You can try to adapt to people and culture, particularly if you're trying to be effective within an organizational context, or in any cultural context. You have to adapt to the culture somewhat. You can show up wanting to be as authentic as you want to be. 

However, in certain environments, that authenticity can cause problems for others, and quite frankly, can cause problems for your effectiveness. So you have to understand the environment and context in which you're interacting. As a matter of fact, I was told my strategies would not work because culture eats strategy for lunch. I reject that statement, because sometimes the strategy is to change the culture, but you have to be aware of how it operates and what levers to pull in order to make that happen.

 ….Closer Look…

Miles K. Davis

Title: President, Linfield University (outgoing)

 Previous: Dean of the business school, Shenandoah University in Virginia

 What's next:  Working on a book: "The Rise and Fall of Higher Education," due in 2025.


Sunday, December 10, 2023

Charles and Cherie Walker honored by McMinnville First Baptist Church in December 2023

Charles and Cherie Walker honored by McMinnville First Baptist Church in December 2023

“Walker Hall” is the new name of what has been the “Gathering Room” of McMinnville First Baptist Church.

On Sun., Dec. 10, 2023, church members Charles and Cherie Walker were surprised when a “Walker Hall” sign was unveiled before them and other church members gathered in the room.

Les Toth, church member, said the new name recognizes the Walkers’ leadership, contributions, passion and support.

“We are blessed” to have Charles and Cherie as members and great leaders of the church family. The new name assures the “Walkers’ legacy will always be remembered,” he said.

The Walkers came to McMinnville when Charles became Linfield College president. He served 1975-1992. In 1992 a building on the campus of Linfield, now called Linfield University, was named “Walker Hall.”

Saturday, November 4, 2023

Food truck in McMinnville article might be of interest …


Review about food truck in McMinnville article might be of interest … … from November 2023 CRUSH monthly food & culture magazine of 

VisitMcMinnville.com

https://visitmcminnville.com/crush/

 "A Libemday family favorite is a creamy imitation crab and broccoli salad. The combination, said, Donna, was first introduced to Guam by the steakhouse Sizzler."

Wednesday, September 27, 2023

Damian Lilliard Toyota of McMinnville, Oregon ... will it still be?

On Sept. 27, 2023, in the NBA/National Basketball Assn., Damian Lillard of the Portland Trail Blazers traded to the Milwaukee Bucks.

Damian Lillard Toyota - McMinnville (Posted Sept 27, 2023) 

In McMinnville, will it still be Damian Lillard Toyota?

Take a tour of Damian Lillard Toyota in McMinnville with Brooke Olzendam! 

(Posted Oct 5, 2020) 

Will it still be Damian Lillard Toyota in McMinnville?







Photos by Mac News on July 1, 9 and 12 in 2023







 

Sunday, September 17, 2023

Randy and Barbara Jelinek




George Randall ‘Randy’ Jelinek,
1927-2001

McMinnville N-R/News-Register Aug 25, 2001

Born 21 Nov 1927  Three Rivers, St. Joseph County, Michigan

Died 22 Aug 2001 (aged 73)  McMinnville, Yamhill County, Oregon

George Randall “Randy” Jelinek of McMinnville died Aug. 22, 2001, in his home, from complications of chronic lymphocytic leukemia. He was 73.

Mr. Jelinek was chairman of the Linfield College art department from 1965 to 1980.

A memorial celebration with art and music will be held from 1 to 5 p.m. Sept. 15 in Renshaw Hall at Linfield College, McMinnville.

He was born Nov. 21, 1927, in Three Rivers, Mich., and raised in Grand Island, Neb.

He and Barbara Fincher were married Aug. 23, 1953.

Mr. Jelinek studied in Vienna, Austria, in 1956-57. He then returned to the United States and earned a bachelor of arts degree from the Art Institute of Chicago and a master of fine arts degree from the University of Washington. He lived in Illinois, New Jersey, and Everett and Renton, Wash., before moving to McMinnville.

After retiring as chairman of the Linfield art department, he did free-lance commercial art work, including creation of logos for the city of McMinnville and Yamhill County.

He and his wife lived and worked in Scotland in 1983, in Zimbabwe in 1995 and in China in 1998.

Mr. Jelinek was a founding member of the McMinnville Art Association, which later became the Arts Alliance of Yamhill County. He had exhibited his work in the Arlene Schnitzer Gallery, Portland, and recently contributed to a retrospective show honoring Portland artist Jack McLarty.

He also was active on the Yamhill County Democratic Central Committee, serving as a precinctperson. He was a supporter of Gallery Theater, McMinnville, and other cultural groups.

Survivors include his wife; two daughters, Julie Baird of Jackson Hole, Wyo., and Victoria Jelinek of Los Angeles; a son, Gregory Monnix Jelinek of Seattle; three brothers, Donald Jelinek and David Jelinek, both of Grand Island, Neb., and Howard Jelinek of Jacksonville, Fla.; and three grandchildren.

PHOTO black & white from Linfield Archives, circa 1979-1979. Professor Randall Jelinek is captured in a candid moment during class. Jelinek was chair of the art department from 1965 to 1980. He was also a founding member of the McMinnville Art Association, now called the Arts Alliance of Yamhill County. Photo likely by Reid Blackburn.

PHOTO color added by Sheri West.

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Barbara Fincher Jelinek,
1933 - 2022

McMinnville N-R/News-Register September-October 2022

Student, teacher, traveler, writer, activist and actress, Barbara Fincher Jelinek died September 25, 2022, in Seattle, Washington, having moved there in 2015 after 51 years in McMinnville, Oregon.

Born March 23, 1933, in Steger, Illinois, to Laura Monnix and Joseph Victor Fincher, Barbara received a bachelor’s degree from the School of Speech and Drama at Northwestern University in Evanston. In the years that followed, Barbara went farther afield, studying in Vienna, New York and Mexico City, ultimately completing a master’s degree in Education from Linfield College, after following her husband, Randall Jelinek, to McMinnville in 1965 when he was appointed Chair of the Art Department there.

While her children were young, Barbara was an editor and writer for Linfield College’s various publications, an adjunct teacher of English at the college, and a freelance writer for the News-Register. In 1968, she received state and national awards for a series of articles in that newspaper about the need for separate facilities for mentally ill adolescents, at the time housed with the elderly in the State Hospital in Salem. Phil Bladine, publisher, distributed copies of the series to all members of the Oregon State Legislature, which led to their establishing Poyama Land, a treatment center for children in Polk, Marion, and Yamhill counties.

Simultaneously, Barbara held various positions in Yamhill County’s Democratic Central Committee, including the role of chairperson, and was the candidate for state representative in 1983, the same year she was invited to the White House to meet President Jimmy Carter.

Barbara continued to support civic projects and cultural organizations throughout her life, such as the Linfield Chamber Orchestra, the Arts Alliance, and Gallery Theater. The latter was so named because it started in 1968 with summer performances in what was then the Linfield art building’s art gallery.

Beginning with that summer of 1968, Barbara had leading roles in numerous Gallery plays, such as The Glass Menagerie, A Streetcar Named Desire, and The Lion in Winter. More recently, she was Maria Callas in Master Class and a woman struggling to recover from a stroke in Wings, by Arthur Kopit. She also directed numerous plays at Gallery, at Sheridan High School and at McMinnville High School, in collaboration with her fellow drama teacher and dear friend, Carol Burnett.

Over the course of her lifetime, Barbara taught drama and English in Illinois, New Jersey, Washington state and Oregon and was awarded two Fulbright Scholarships to teach in Scotland and Zimbabwe, respectively. Even after retiring from McMinnville High School, Barbara continued to teach drama and English as a Second Language in China.

A companion throughout her adventures, Barbara’s husband died August 22, 2001, a day before their 48th wedding anniversary. They are survived by their children, Julie Baird and Gregory Monnix Jelinek, both of Seattle, and Victoria Jelinek Jensen of Chamonix. Her grandchildren are Daniel Jelinek, Kaya Baird, Finnegan Jelinek, Zoe Jelinek, and Sebastian Jensen.

Barbara claimed the best summing up of one’s life is an epitaph she once read containing the remains of a young woman at a cathedral on Scotland’s principal Orkney Island:

She lived respected
And died regretted.

In lieu of a festive gathering to honor Barbara at this time, people are asked to donate to the Zoe Jelinek Memorial Fund on www.gofundme.com. Tragically, Barbara’s granddaughter Zoe died in a sudden accident earlier on the same day that Barbara had the stroke that would send her to intensive care and ultimately conclude her own life.

……………………………

This is an abbreviated version of Barbara’s obituary from September because there will now be a memorial service and reception to honor Barbara’s life. Those who knew Barbara, in one way or another, are invited to join her family to reminisce, chuckle, lament, and enjoy the opportunity to celebrate a unique woman’s life.

Thursday, 13 April, 2023, 2 p.m., the Gallery Theater, 210 N.E. Ford St., McMinnville, Oregon.

Student, teacher, writer, activist, actress, Barbara Fincher Jelinek died September 25, 2022, in Seattle, Washington, having moved there in 2015 after 51 years in Oregon. Over the course of her lifetime, Barbara taught Drama and English in various states and countries, and was a founding member of the Gallery Players Theater in the 1960s.

A companion throughout her adventures, Randall, Barbara’s husband, died Aug. 22, 2001. They are survived by their children, Julie Baird, Gregory M. Jelinek, and Victoria Jensen. Their grandchildren are Daniel Jelinek, Finnegan Jelinek, Kaya Baird, and Sebastian Jensen. Sadly, a fifth grandchild, Zoe Jelinek, is deceased.

#


Tuesday, August 29, 2023

Order 'Paella' at PURA VIDA, McMinnville

 


info@puravida.com
(503) 687-2020

313 NE 3rd St
McMinnville, OR 97128

Thursday, August 24, 2023

Bootleg Jam performed 8/24/2023 evening in McMinnville

 Bootleg Jam performed 8/24/2023 evening in McMinnville

'Mac News' video/photos




 

Monday, July 17, 2023

Artist Tom Hardy's 'Ancient Oaks' sculpture on Third Street, downtown McMinnville

 


Whence “Ancient Oaks” on Third Street in downtown McMinnville?

"Ancient Oaks" sculpture by artist Tom Hardy was installed in July 1964 on the front of First National Bank of McMinnville which is now a branch of Key Bank. The sculpture was there from 1964 until some “recent date.” What happened to it?

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July 10, 1963, McMinnville N-R/News-Register included this photo. Cutline info: Big crane was moved into position on Third Street this week to aid in the demolition of the McMinnville First National Bank building. Structure is being razed and a new one-story bank building will be erected on the site.

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New bank opens at McMinnville

April 6, 1964, By Thelma Dolan, Salem Capital Journal correspondent

Story with McMinnville dateline says First National Bank of McMinnville was founded Dec. 3, 1883, and (was) the “oldest independent bank in Oregon. The new modern structure stands at Third and Davis streets on the same corner that the original bank was located.“ Story also says, “An aluminum panel by Tom Hardy, Portland artist, will be placed over the front door sometime this spring. It will not be completed by opening day. Hardy is known for many panels and art in metals at Portland State College, Lloyd; Center, the telephone building, and a fountain at Eugene. This is the first time he has made a mural in white metal.”

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Thomas Hardy to Sculpture Piece for Bank Entrance

April 15, 1964, McMinnville N-R/News-Register

Thomas Hardy, noted Portland sculptor, has been commissioned to design and build a metal piece to be placed on the brick facing above the entrance of the newly completed home of First National Bank of McMinnville.

Hardy has achieved fame as one of the most successful metal art scupltors in the country. His works includes pieces for the Lloyd Center, Lane County Courthouse Mall in Eugene and Portland State College.

Working with dark rough metals, Hardy designed and built the “birds” piece for the Lloyd Center, the “fish” piece for the courthouse in Eugene, and the “panoramic” piece for Portland State College.

Hardy spent several hours in the McMinnville area after being commissioned by the bank to get a general impression of the area.

After seeing the many groves of oak trees in the vacinity, Hardy has decided the bank piece will be an oak grove with the foothills of the coast range in the background.

The work will present a real challenge, Hardy said. It will be done with aluminimum, a substance with which he’s never worked.

“It will be tailored to fit the building and the area,” Hardy said.

He said he has just begun work on the project and estimated it would take about six weeks to complete.

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McMinnville First National Bank Gets Thomas Hardy Sculpture

July 8, 1964, McMinnville N-R/News-Register

Thomas Hardy, Portland sculptor and painter who works have won nationwide acclaim, was in McMinnville Tuesday to supervise the hanging of his latest work, an all-aluminum piece that will grace the front entrance of the First National Bank of McMinnville.

Hardy was commissioned to do the piece several months ago by bank offici9als who wanted something that would capture the atmosphere of the locals.

The sculptor spent an entire day in the countryside around the city before reaching a decision about the subject to be sculptured.

The result is a stunning representation of several groves of oak trees with two beautifully executed horses standing in a pasture of waving grass in the foreground.

It was decided the work should be done in aluminum to blend with the aluminum letters which face the building.

The work presented some problems for Hardy who had never worked with aluminum before. In creating the work, he used a burning torch to make the metal melt and run in desired patterns.

The finished product is one of Hardy’s best and is the first art piece of note to hand outdoors in the city.

As the present time Hardy is working on a commissioned piece for the Los Angeles Opera House. The work will be a flight of birds executed in gold leaf on bronze. He is also to begin two pieces for the Federal Courthouse in Juneau, Alaska. Both will be done in bronze.

Recent works completed by Hardy include two large whooping cranes which are mounted in the center of the driveway at the Physicians and Surgeons Hospital in Portland.

The Portland sculptor has also completed work for the lobby of the Pacific Building in Portland, Lane County Courthouse, Portland Hilton Hotel, and the Lloyd Center.

Hardy’s works will be displayed as a showing scheduled for Oct. 15 at the Oregon Ceramic Studio in Portland and plans are in the works for a showing in New York City within the next two years.

His assistant, Albert Goldsby, was in McMinnville with his Tuesday to assist in hanging the work above the bank entrance.

 


PHOTO: THOMAS HARDY, noted Portland sculptor, top of ladder, and his assistant, Albert Goldsby, pose before an an aluminum sculpture completed by Hardy for the McMinnville First National Bank. The work was hung above the front entrance of the new bank. (N-R Photo No. 2326).

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Postcard shows new home in 1964 of McMinnville First National Bank of McMinnville




The McMinnville First National Bank of McMinnville postcard posted here is from 1964 or 1965. Photos on the postcard by professional photographer Frank Colcord of Colcord Studio, McMinnville. Note the text which says the bank’s “strength and stability” is “symbolized by the ‘Ancient Oaks’ mural which sets the style for our new home.”

 

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Tom Hardy obituary

Tom Hardy, age 94, Nov. 30, 1921 - May 07, 2016

Published by The Oregonian from Jun. 10 to Jun. 12, 2016.

On May 7th, 2016 Oregon lost an artistic treasure. Thomas Austin Hardy died.

An only child born in Redmond, Tom devoted his life to portraying Oregon’s natural bounty. Tom’s childhood fascination with nature led him to memorize the Latin names of all he saw in the field and wilderness by age 12.

At age 16, Toms exhibit at the Portland Art Museum forecast an art career.

After earning a Univ. of Oregon BS in General Art in 1942, 2nd Lt. Hardy reported for duty in the U.S. Air Force in Honolulu.

Home in 1946 and back to artistic endeavors, watercolors and ceramics were exhibited at the Portland Art Museum and Oregon Ceramic Studio.

A 1952 MFA from U of O in Direct Metal Sculpture and Lithography led to teaching positions at U of O, UC Berkeley, Reed College, Univ. of Wyoming and the San Francisco Art Institute.

Tom’s worldwide travels to Africa, Europe and Tahiti introduced an international flavor to his work. Upon return, metal sculptures, water colors, prints, paintings and watercolors unfolded.

Tom’s work hangs in major museum collections throughout America. Representative museums include The Whitney Museum and The Metropolitan Museum in New York. His work is also found in major West Coast museums, private offices, public buildings and private collections.

A crowning achievement to Tom’s career was Sen. Mark Hatfield’s commission to design and produce the bronze eagle seal on Pres. Franklin Roosevelts monument in Washington, D.C.

In 1997, Pres. Bill Clinton welcomed Tom to a celebration of Roosevelts life at the unveiling of the monument.

Warm and friendly to all he met, his works will keep his memory fresh and alive.

At Tom’s request, there will be no memorial service. Remembrances may be made to Pacific NW College of Art, www.pnca.edu or the Hallie Ford Museum of Art at Willamette University, jolbrant@willamette.edu.

Gather from 2 to 4 p.m. Wednesday, June 15, for a toast honoring Tom at his favorite lobby bar in the Benson Hotel, 309 S.W. Broadway, Portland.

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ARTIST TOM HARDY

1921 (Redmond, Ore.) -2016 (Portland, Ore.)

Oregon artist Thomas (Tom) Austin Hardy was nationally known for his metal sculptures and calligraphic drawings of animal forms including birds, bison, and horses. He was born on November 30, 1921 in Redmond, Oregon and was the only child of Orlando Buel (O. B.) "Pete" and Marie Austin Hardy. Hardy's love of nature and his worldwide travels enriched his sculptures and art. He was a prolific artist, showing his first exhibition at the Portland Museum of Art at the age of 16. As an openly gay man, Hardy served as an advocate for the LGBTQ community in Portland, Oregon. Hardy died on May 7, 2016 in Portland, Oregon.

Hardy earned a Bachelor of Science in General Art degree from the University of Oregon in 1942. During World War II, he served in the Air Force in Hawaii and Guam from 1942 to 1945. After his military term, Hardy focused on ceramics and watercolors and exhibited at the Portland Art Museum and Oregon Ceramic Studio. In 1952 he earned a Master of Fine Arts in Sculpture and Lithography from the University of Oregon. He then secured teaching positions at the University of Oregon, University of California at Berkeley, Reed College, the University of Wyoming, and the San Francisco Art Institute.

Hardy received many public and private commissions throughout his art career including: the Golden Bear in the Student Union at UC Berkeley in 1980, the Senator Mark O. and Antoinette Hatfield fountain "Eagles and Aerie" at Willamette University in 1989, and the bronze eagle seal for President Franklin Delano Roosevelt's memorial in Washington, D.C., which President Bill Clinton unveiled in 1997. Hardy gained national recognition through his representation by The Whitney Museum of American Art and The Metropolitan Museum of Art in New York. His works are found in galleries, museums, and public and private collections including the Seattle Art Museum in Washington, the Portland Art Museum in Oregon, Museum of Modern Art in New York, American Institute of Arts and Letters in New York, Kraushaar Galleries in New York, and the Hallie Ford Museum of Art at Willamette University in Salem, Oregon.

 

Source:: archiveswest (dot) orbiscascade (dot) org

 

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Tom Hardy Papers

Tom Hardy Papers are in Salem. They are part of the Pacific Northwest Artists Archive, a collaborative project of the Willamette University Archives and the Hallie Ford Museum of Art, the Pacific Northwest Artists Archive (PNAA) is a collection of materials related to the careers of artists who are or were active in Oregon and Washington for the major portion of their careers.

https://libmedia.willamette.edu/commons/item/id/169

Apparently in the Tom Hardy Papers Box 3, Item 20: McMinnville ("Ancient Oaks" sculpture for First National Bank of McMinnville) 1964

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TOM HARDY’S FINAL STUDIO SALE

By Southern Oregon Artists Resource, 1978 contributed posts

View all Southern Oregon Artists Resource's posts.


About the author: SOAR: The Southern Oregon Artist's Resource is a directory of Southern Oregon artists, artisans and those who serve them and calendar of their art events, and Art Matters!, our blog posting Southern Oregon art events and matters of interest to artists, enthusiasts and patrons of the arts near and far. SOAR was created and is maintained by art advocate and web designer Hannah West in Jacksonville, Oregon to promote our diverse and talented arts community to our visitors and the rest of the world.

 














PHOTO Tom Hardy in his Portland studio

A Heights Estate Sale will be bringing to the public the 3 day Studio Sale of artist Tom Hardy. One of the region’s most accomplished artists will be opening the doors of his massive warehouse studio and selling the ENTIRE contents.

Hundreds of paintings, drawings, prints, sculptures, a massive book collection, furniture, a huge selection of tools and supplies, staging and lighting, oddities as well as the vast collection of art and antiques Tom has acquired throughout his life and career.

Selected artists from Tom Hardy’s private collection include: Bruce Taggart, Robert Bosworth, Jim Brittany, Pat Zucaro, R. Guthrie, R. Seabass, George Lafayette, Keith Keiffer, Bill Colby, Sherrie Wolf, Stewart, Garner Lunk, W. Curtis Mel Schuler, Robert Hanson, Sheehan, Mel Katz, Harry Widman, Laverne Crause, Jim Hillman. Carson, Dan England, Laurie Ness, Foraine, Gordon Wilson, Ron Jansen, John Rork,Boe Stevenson, J Backstand, Katherine O’Connor, Rackham

Tom Hardy has spent more than 50 years as an artist and teacher. His creations have been exhibited in museums, galleries, and private collections throughout the United States and his art is followed at a National level. Mr. Hardy also has public commissions that can be found in Federal, State, and City institutions throughout the United States.

 



PHOTO FDR memorial seal by Tom Hardy

From the Cal Berkley “Golden” bear to the FDR Memorial in Washington, D.C., Tom Hardy has been prolific and diverse throughout his illustrious career.

For additional information and photos of the sale, visit tomhardystudio.com.

BIOGRAPHY

Born:

November 30, 1921 in Redmond, Oregon

Education:

Medford and Corvallis High Schools

Oregon State University

U of Oregon

BS General Arts, 1942

MFA in Sculpture, 1952

Military: 1st Lt. US Infantry and Air Force, Hawaii and Guam 1942—1945

 


PHOTO The Golden Bear was installed in the Student Union of UC Berkeley in 1980. Designed by sculptor Tom Hardy, the 500-pound bronze bear is gilded with a thin layer of gold leaf and mounted atop a 18-foot high concrete pillar. The Golden Bear, the school’s mascot, was a gift of the Class of 1929

Teaching:

UC Berkeley 1956—58

Tulane University 1958-59

Artist in Residence, Reed College, 1959-61

University of Wyoming 1975-76

Major Solo Exhibitions:

Seattle Art Mus. 1953

Stanford U. Gallery, 1954

UCLA Gallery 1954

U of British Columbia, 1955

College of Architecture, UC Berkeley, 1957

Oakland, CA. Art Mus. 1957
Kraushaar Galleries, New York, 1954, 1958, 1962,1966, 1970, 1974, 1978

Pensacola Art Center, 1958
Columbia, South Carolina Art Mus., Retrospective, 1961

Columbia U. School of Architecture Gallery, New York, 1961

Tacoma Art League, 1962

Spokane Art Center, 1963

Boise Art Center, 1963

 




PHOTO Tom Hardy, a pensive moment in younger days

Port Townsend, WA, Art Center, 1964

Coos Art Mus., 1967

U of Idaho Art Mus., Moscow, 1971

Sun River Lodge, Bend, OR, 1973

Chas. Campbell Gallery, San Francisco, 1974

Wash. State Mus., Olympia, WA, 1974

Salem Art Assoc., Salem, OR, 1974

Willamette U. Gallery, Salem, OR, 1975

Contemporary Crafts Gallery, Portland, Or Retrospective, 1976

Maude Kerns Art Center, Eugene, OR Lawrence Gallery, Gleneden Beach, OR, 1981

Timberline Lodge 1985

Tacoma Art Center, Retrospective, 1986

Salishan Lodge, Gleneden Beach, OR, 1988

Mt. Hood Community College, Gresham OR, 1990

UmpquaCommunity College, Roseburg, OR, 1990.

Major Group Exhibitions:

San Francisco Mus. of Modern Art

Denver Art Mus.

Metropolitan Mus. of Art, New York

Mus. of Modern Art

Whitney Mus. of American Art

Ogunquit, Maine, Art Mus.

Detroit Art Institute

Pennsylvania Academy of Art

National Institute of Arts and Letters, New York.

In Collections Of:

Seattle Art Mus.

Portland Art Mus.

San Francisco Mus. Of Modern Art

Santa Barbara Mus. of Art

Whitney Mus. of American Art

U of New York, at Purchase

Coos Art Mus., Coos Bay OR

University of Maine Art Mus.

Art Mus., Ogunquit, Ma

University of Wyoming Art Mus.

Important Commissions:

Lloyd Center, Portland, OR

Portland State University

Hilton Hotel, Portland, OR

US Federal Bldg., Juneau, Alaska

Kah-nee-ta Lodge, Warm Springs, OR

Western Forestry Center, Portland, OR

Salem Civic Center, Salem, OR

Timberline Lodge; Pioneer Square, Portland, OR
Mt. Hood Medical Center Gresham OR

Tuality Hospital, Hillsboro, OR

Mark O. Hatfield Fountain, Willamette U., Salem, OR

Umpqua Community College, Roseburg OR

Oregon Historical Society, Portland, OR

TOM HARDY’S FINAL STUDIO SALE
6/22/12 (12pm-4pm)
6/23/12 (12pm-4pm)
6/24/12 (12pm-3pm)
3449 North Anchor Street suite 600 Portland, Oregon. 97217

Public Relations: Lloyd Sutherland-Finch
Phone: (503) 459-8268
Email: info@tomhardystudio.com
Website http://tomhardystudio.com
Facebook: https://www.facebook.com/tomhardystudio
Twitter: https://twitter.com/#!/TomHardyStudio

Source:

https://blogs.soartists.com/ArtMatters/tom-hardys-final-studio-sale

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Visit McMinnville brochure from 2018 …

https://visitmcminnville.com/wp-content/uploads/18_AWBrochureFINAL-1-1.pdf

… includes in the HISTORIC McMINNVILLE ART WALK

15

ANCIENT OAKS – By Tom Hardy

Stainless steel; installed 1964



(Comment: Sculpture is in  aluminum, not stainless steel.)


 
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Tom Hardy Closing His Studio, Selling His Stuff

Legendary 90-year-old Portland artist selling everything in his studio next week.

By Richard Speer, Willamette Week,  June 15, 2012

At the age of 90, beloved Portland artist Tom Hardy has decided to shutter his studio and take life a little more slowly. Problem is, nine decades of life tends to leave one's studio chock full of accumulated stuff.

What to do with it?

Hardy is holding a sale, the goal of which is to liquidate everything in one fell swoop: hundreds of his drawings, paintings, prints, and sculptures, as well as books, furniture, lighting, antiques, and artworks by other artists he has collected, such as Mel Katz, Sherrie Wolf, and Bruce Taggart.

A longtime arts educator as well as a nationally exhibited painter, Hardy was most recently showcased last December by gallerist/curator Mark Woolley, who mounted a mini-retrospective at the old Ogle Gallery space in Old Town.

“To me,” Woolley tells WW, “Tom Hardy is the epitome of the independent Oregon spirit. Even though he has traveled extensively in Africa, Asia, and elsewhere, he has made art that is a reflection of his place in the world, which has always been grounded in Oregon. He’s also one of the last of his era in terms of how multi-faceted he is, having started in ceramics, then moved on to carved wooden work, welded steel, welded bronze, cast bronze, etchings, watercolors, every medium that was available to him.”

While Hardy’s range is broad, encompassing diverse media and a stylistic command of portraiture, nudes, landscapes, and gestural abstraction, it is as an abstract painter that the artist is arguably at his best. His intuitive sense of composition and technical verve have earned him a place in the pantheon of notable Northwest artists.